The Morbid Man

Isolation, mental strain, emotional exertions, visionary infatuations, well-executed fevers, repudiations of well-being: only a few of the many exercises practiced by that specimen we shall call the “morbid man.” And our subject of supernatural horror is a vital part of his program. Retreating from a world of heath and sanity, or at least one that daily invests in such commodities, the morbid man seeks the shadows behind the scenes of life. He backs himself into a corner alive with cool drafts and fragrant with centuries of must. It is in that corner that he builds a world of ruins out of the battered stones of his  imagination, a rancid world rife with things smelling of the crypt. But this world is not all a romantic sanctum for the dark in spirit. So let us condemn it for a moment, this deep-end of dejection. Although there is no name for what might be called the morbid man’s “sin,” it still seems in violation of some deeply ingrained morality. The morbid man does not appear to be doing himself or others any good. And while we all know that melancholic moping and lugubrious ruminating are quite palatable as side-dishes of existence, he has turned them into a house specialty! Ultimately, however, he may meet this charge of wrongdoing with a simple “What of it?” Now, such a response assumes morbidity to be a certain class of vice, one to be pursued without apology, and one whose advantages and disadvantages must be enjoyed or endured  outside the law . But as a sower of vice, if only in his own soul, the morbid man incurs the following censure: that he is a symptom or a cause of decay within both individual and collective spheres of being. And decay, like every other process of becoming, hurts everybody. “Good!” shouts the morbid man. “Not good!” counters the crowd. Both positions betray dubious origins: one in resentment, the other in fear. And when the moral debate on this issue eventually reaches an impasse or becomes too tangled for truth, then psychological polemics can begin. Later on we will find other angles from which this problem may be attacked, enough to keep us occupied for the rest of our lives. Meanwhile, the morbid man keeps putting his  time on earth  to no good use, until in the end—amidst mad winds, wan moonlight, and pasty specters—he uses his exactly like everyone else uses theirs: all up.

—Professor Nobody